Hi there! And welcome back to Weekly Hitch, which is a film studies blog where I watch all of Alfred Hitchcock’s movies, in chronological order, and then I write about each one and pretend I know what I’m talking about and also sometimes I question why I’m doing this at all, but it’s too late to stop now.
For the 12th week here at Weekly Hitch, I watched Hitchcock’s 1931 rural family-feud film The Skin Game, which stars future Academy Award winner, Edmund Gwenn and is also a pretty boring movie. So let’s begin! (sorry)
Hello again you wonderful people, and welcome back to Weekly Hitch – a blog sort of thing, in which I watch every Hitchcock movie and then try to work out what makes them good, or bad, or ugly.
This week Hitchcock returns to suspense and thrills with one of his very few actual “who-done-its” – the pleasant, but uneven 1930 film, Murder!
Hello again, whoever you are, and welcome to week ten of Weekly Hitch – a film studies blog in which I watch all of Alfred Hitchcock’s movies, in chronological order, and then talk about them into a computer. It’s like having a friend show you slides of a trip to Italy, but instead of slides it’s opinions and instead of Italy it’s old movies.
This week, we enter the 1930’s with Hitchcock’s adaptation of one of Ireland’s most famous plays – there’s religious symbolism aplenty and lots more experimenting and adapting to sound. So let’s begin, with 1930’s Juno And The Paycock.