Hey there, and welcome back – for the twenty-fifth time – to Weekly Hitch. This is a blog where I watch all of Alfred Hitchcock’s movies in chronological order, no matter what they are, and then I try to work out why they’re good – if they’re good – and how they got that way.
This week, Hitchcock tackles one of his few outright comedies – with the amusing, American, and altogether unlikely screwball romance Mr. & Mrs. Smith.
It’s lucky number seven at Weekly Hitch, as I continue my quest to watch pretty much all of Alfred Hitchcock’s movies in chronological order and with a violent and angry panther gnawing on my leg. Except without the panther.
This week we watch one of the oddest and most curious instalments in Hitch’s body of work, and one which he would later remember as, “the lowest ebb of my output.” But does the film deserve such harsh reflection, or is it just a bubbly and frothy cocktail of joy? We shall find out, with Hitchcock’s 1928 silent comedic-drama – Champagne.
Welcome back, if you are indeed back, to week five of Weekly Hitch – the blog in which I watch as many of Hitchcock’s films as possible, in chronological order, and then analyze them in far too much detail, while also being not quite insightful enough. Basically, it’s like a film nerd’s podcast, but written down.
This week, we journey with Hitch to a new film company – a new producer, new actors, new cameraman, and a new writer… Hitchcock himself! It’s an impressive, and expressionistic feast for the eyes – it’s 1928’s The Ring.