Hello! And welcome back, if you are indeed back, to Weekly Hitch. This is a film studies type project in which I watch all of Alfred Hitchcock’s films, in chronological order, and then I write about them and sometimes friend and family read what I write because they’re kind.
This week I’m watching Hitch’s second American film, but personally – I think it would be more accurate to call it ‘The First American Hitchcock’, because while it was made after Rebecca, this week’s film is far more like the British master we’ve come to know. So buckle up for war! Excitement! Thrills! Romance! It’s 1940’s Foreign Correspondent!
After a couple months spent writing for a television show with nary a moment to watch amazing old movies, I am returned to the trail – and ready to carry on with the twenty-first week of Weekly Hitch, a project type thing in which I watch all of Alfred Hitchcock’s films in order and try to think about them – and what might be my favourite of all Hitch’s movies.
This week brings us to Hitchcock’s penultimate British film – and one of his most enjoyable, clever, funny, exciting, and satisfying films – 1938’s The Lady Vanishes. It’s a great film made even more poignant by the times in which it was made. So all aboard for adventure!